B.A.S.E. (Body of Artistic Standards of Excellence in Ballroom and Latin American Dancing) continues to uphold and advance the artistic, technical, and ethical standards of competitive dancing.
Throughout the past years, the committee has reaffirmed its shared commitment to protecting the beauty, authenticity, and integrity of dance while adapting to the evolving dynamics of modern competition.
Artistry and Technical Integrity
Across meetings, the committee expressed concern about the growing dominance of choreography over true dance quality – particularly in Waltz, Tango, and Quickstep, where swing, sway, and natural body flight risk being replaced by fixed shapes and over-produced patterns.
In the Latin American disciplines, similar tendencies were noted: increasingly busy choreography, loss of rhythmic clarity, and an over-theatrical performance style. B.A.S.E. members emphasised that genuine artistry arises from harmony, musicality, and respect for the fundamentals – “if it’s not beautiful, it’s no good.”
The group repeatedly highlighted the importance of a bespoke hold, authentic posture, and a sensitive connection between partners. Over-training, muscular rigidity, and ill-fitting attire – especially overly tight tail suits – were observed as factors that compromise both aesthetic and functional alignment. Dance, the committee agreed, should look natural, effortless, and in unity with the music.
Behaviour and Ethics on the Competition Floor
Recent discussions addressed concerns about competitors’ behaviour during events.
At the Majestic, some couples were seen interacting excessively with the audience – taking selfies, high-fiving spectators, or disengaging from partners while music was still playing. The committee agreed that such actions are inappropriate within a competition context and proposed raising the issue formally with the BDC to establish clearer rules.
Theatrical bowing and the appearance of lifts in Latin competitions were also noted as trends that risk blurring the line between show and sport. B.A.S.E. encourages dancers to display individuality through artistry, discipline, and respect for the tradition of competitive dance.
Education, Authenticity, and the Role of Basics
The B.A.S.E. “Just Basic” (formerly “B.A.S.E. Basic”) competition continues to be central to the organisation’s educational mission. The event celebrates the mastery of fundamentals, clarity of technique, and musical understanding.
In 2025, the committee placed particular emphasis on authentic Latin music – especially Cuban Rumba – as vital to preserving the heritage of the dance. Collaboration between invigilators from different teaching organisations was proposed to inspire curiosity and encourage deeper technical study among competitors.
Planned refinements to future “Just Basic” events included an opening address by Hazel Fletcher, curated music selections without vocals, and thoughtful engagement with guest invigilators – underlining the educational and collegial spirit of the B.A.S.E. initiative.
Observations from Competitions
The committee recognised the success of major events such as the UK Open, Star Ball, and Majestic, praising their organisation, artistry, and live music. Special appreciation was extended to Ross Mitchell and his orchestra for their long-standing contribution to the dance community.
However, members expressed concern over low entry numbers and high no-show rates at certain events, despite excellent venues and timing. The hope was voiced that participation will rise in future seasons.
Floorcraft was identified as an essential yet increasingly overlooked skill. Too many couples, particularly in Ballroom, were observed stopping rather than navigating space when encountering congestion. The committee strongly encouraged renewed attention to floorcraft at training camps and within coaching -summed up in the principle: “No movement, no mark.”
Presentation and Aesthetics
A positive highlight was the notably improved presentation of dancers, particularly the even and elegant tanning achieved in recent competitions. Members acknowledged the growing awareness among competitors of how presentation supports artistry when applied with taste and restraint.
Digital Outreach
To strengthen communication and educational impact, B.A.S.E. renewed its digital presence.
Gunnar Gunnarsson has taken over the organisation’s social media channels, aiming to share insights, promote the “Just Basic” concept, and foster an informed, inspiring dialogue across the dance community.
In Summary
B.A.S.E. stands united in its purpose:
to preserve and promote the artistry of Ballroom and Latin American dancing as a living art form – rooted in musicality, partnership, and grace.
Through dialogue, education, and example, the committee continues to champion the highest standards of artistic excellence in the sport and expression of dance.
Committee: Michael Barr, Carmen, Brigitt Mayer, Kenny Welsh, Jukka Haapalainen, Espen Salberg, Hans Galke, Colin James, Alison Fulham, Denise Weavers, Lynn Harman, Hanna Kaartunen, Evelyn Hormann, Nicola Nordin, Adele Preston-Tanaka, Tony Dokman, Lindsey Hiller-Tate, Gunnar Gunnarsson, Hazel Fletcher and Anthony Hurley. Minutes secretary: Stefanie Taylor.
